He was fifteen when he sat down and picked up the novel. At first he weighed it in his hand, judging what to do. Contemplating the issue a while, he eventually opened it up, counted the thousand plus pages, and was overawed by the sheer magnificence of it.
They say that the first sentence is the hardest. With a novel of this length, once that first sentence is read, the fear of it is gone. And then all that is left is determination ….
He began to read.
Every story has a hero, and the hero of ours sat up from his chair when he was fifteen to see the girl pass the window. He was immediately attracted to her and was compelled to follow. Introductions were story book, full of cliche. He made her laugh, and that is the most important thing in the world. For in laughter the defences are down and love creeps in.
Three years later, they marry. They have to; a child is on the way. Born, life is hard for our couple, without money, without prospects, without hope. But in every story there is a war to take away the hero and provide that romance experienced only through distance.
It is a new hero who returns. A real hero, with medals on his chest and wounds in his heart. He is a more ruthless hero, ready to take the world and succeed. And his career begins in business, where his wartime ruthlessness comes to the fore and he makes a million.
A second child appears somewhere along the way, but as with the first, he hasn’t much time for this child now, or his wife; his love of times past. So in every good story there is the moral dilemma of the affair. And his is fevered, passionate. Until his wife finds out. Then, it is not passion that rules, but hurt and recrimination.
It is an emotional time of our story, the separation, the children, unsure of their future. Unsure, even, of life. But our hero – if hero he really is – marches on through his story, marrying his mistress. But a mistress can never give that all important innocence to love. So it is not the same marriage; not the same happiness. Just bitterness.
The moral dilemma of our story is, infact, a simple one. In early life we are innocent, and in our innocence, love is the most important thing in our existence. But love makes people nice, and no good to take on the world. To be successful you need to be of harder stuff, as our hero has become. But in doing so, innocence disappears, and in its banishment, perhaps love is also thrown away.
And so, without love, our hero becomes a success. The business thrives, his influence grows, his power is built. And the next logical step is political. For once the taste of power is there, and the distracting family thrown to the wind, only the top is desirable.
But our story is a moral one. Our hero is a cad, and the top must be unachievable. It must be snatched from his grasp at the moment of his success. And so it is. It is not a twist in the tale, but an inevitability. It was sown in the early words of the tale. For in the obvious anxiety of the final reach for power, we remember our youth. And our hero remembered his, and thought of his first love whom he hurt so badly, and is consumed with guilt.
And then. When in the crowd, he spies her?
The denouement is here. He is filled with renewed love. And suddenly, the money, the power … they mean nothing to him. And he retires, to be forever with his love.
And then, one sunny morning he sits in a chair and picks up a novel. He remembers it well from his youth and decides, at last, he must read it.
© Anthony North, April 2002
RT One
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